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A landscape evolves over time. It takes shape after the constant movement of the ocean. Time connects water and land. This meeting is always in alteration, as an interaction between liquid and solid.

Time manifests the face of the landscape. That’s where moments get staged and time maintained.

The landscape is the plinth of the sculpture. The sculpture is an object that binds everything together. It’s a perpetual reminder of the presence.

The ocean leaves its tracks like a repeating movement leaves its tracks. Most of them will disappear. Some will be there for a while. Few will stay and some never be found. The track is like an unfinished course dictated by the ocean, a representative for time.

Photo collage

Site
Perspective 3 (P3)
Photo

Site
Perspective 2 (P2)
Photo 

Site
Perspective 1 (P1)
Photo

Photo collage

Photo collage

Photo collage

Under certain conditions the water disappears,
otherwise it changes every sixth hours

The track is only available in a certain period of time and appears as a relic of the past

Sketches
Pencil on paper and tracing paper

Situations plan A1
1:1000
Pencil on paper
155 x 155 cm

Close up - Situations plan A1
The level of the landscape gradually decreases towards the inlet. The avenue points north and then becomes tracks in the landscape

P3 (see previously photo)

Close up - Situations plan A1
The landscape changes character after the state of the inlet. The tracks make marks and follow the movement of the landscape

P1 (see previously photo)
P2 (see previously photo)

Situations plan A2
1:500
Pencil on paper
155 x 155 cm

Close up - Situations plan A2
The sculptures are a part of the tracks. All with a relation to each other, the inlet and the sea.

1. Gleaming lights of the soul, Yayoi Kusama
2. Meteorite
3. Winther garden bench, Donald Judd
4. Mobile, Ib Geertsen
5. Tall Figure III, Alberto Giacometti
6. The avenue continues towards north, out into the inlet and further out into the sea  
P4 see following page
P5 see following page

P4
A deep track in the landscape
Pencil on paper
21 x 29.7 cm

P5
A break in a track
Giacometti sculpture
Pencil on paper
21 x 27 cm

Close up - Situations plan A2

1. A very close relation to the water is created because it can only be heard not seen.
2. Still life, Sam Taylor Wood, Video instalation
P7 see following page

P7
A track towards the sea
Pencil on paper
21 x 24 cm

Close up - Situations plan A2

The sea is only accessible for a limited time. The wooden poles and stones define the track. As the time passes by the sea will close the track making the poles disappear and only the rocks will be left.
1. There will only be access to the sea if the water is pulled back
2. Together and apart, Antony Gormly
P6ab see following page
P8 see following page

P6ab
An entrance to the sea
Pencil on photocopy
20 x 47 cm
 

P8
Pencil on photocopy
21 x 29.6 cm